All trax were written, produced, engineered and recorded at Earthbound Studios. ℗ & © 1992 XL-recordings. Published by EMI/Virgin Music Publishing Ltd. Made in England. Distributed by Warner Music UK. Samples used: Track 01: 'The Badman Is Robbin' by Hijack, 'What 'U' Waitin' '4'?' By Jungle Brothers Track 02: 'Shout' by Lulu.
Track 03: 'Latoya' by Just Ice, 'Live The Life' by The Sindecut Track 04: 'Shelter Me' by Circuit, 'Made In 2 Minutes' by Bug Kahn & The Plastic Jam (All Crew sample), 'The Champ' by Mohawk. Track 05 'Hello Earth' by Kate Bush (intro) & 'Return of Captain Rock' by Captain Rock. Track 06: 'Mummy Should Know' From TV show 'Charly Says' Track 07: 'Chase The Devil' by Max Romeo, 'Critical Beatdown' by Ultramagnetic MC's, 'Homicide' by Shades Of Rhythm. Track 08: 'I'm Riffin' by MC Duke. Track 09: BBC Radio Shipping Forecast & Michael Fish Weather Report. Track 10: 'Fire' by Crazy World Of Arthur Brown, 'Hard Times' by Pablo Gad, 'Sweet African Children (Live)' by Aswad Track 11: 'In The Jungle' by Just Ice, 'Can't Stop' by Plez This is original release.
Reissued release with Nimbus matrix can be found Reissued release with Technicolor matrix can be found Reissued release with Sonopress matrix can be found Reissued release with Arvato Digital Services matrix can be found Reissued release with another Nimbus matrix can be found. A testament to the carefree raving times. Unpretentious, a bit raw and rough on the edges, but the heaps of fun Liam obviously had while producing this album is radiating from every second. Let's hyperspeed the beat, let's pitch up vocals, let's sample a kids' tv show, then let's sample some reggae as well. And what do you know - the result is a landmark in dance music, and an album that got many into electronic music. I still remember my amazement when I heard 'Everybody in the place' for the first time. One day, back in early 1992, I was reading a copy of 'Alternative Press' in which a wanker.
No, he was a wanker, who ran a column typically berating electronic music came out guns firing on this album, making fun of the chipmunk vocals, arrangements, whatever else. Needless to say such criticism made me think the Prodigy were on to something, And they were! While the vocals were occasionally annoying, this album burst at the seams with creativity, something which was in short supply in the rave scene at that very time.Where Liam and company went after that magical summer is your call but this album is a treasure for me. I bought this cd back when it was first released from central station records in the early nineties without really having any knowledge about the artists or the music at all. What I certainly did know was that I absolutely loved that sound. I heard 'everybody in the place' on the radio and bought the single.
Id never heard anything like it - was absolutely amazed at the energy and beats. That was about 15 years ago. I now own every single and every CD they ever released, however this one holds a special place in my heart as it was really the beginning of what was to become a real love for an amazing and groundbreaking dance music group. Im looking forward to seeing them perform again at the Big Day Out here in Australia. This amazing album was truly the kick start for me and many others i'm sure,although i first heard it in the summer of 1995. The remarkable thing about the whole album in general,is that,with all its sampels of breaks,piano breakdowns,pitched up female voices and of course the ragga vocals,the funny thing is that,there is not an 'Amen' break sample to be heard in any track. All in all this album is the best CD, ever cross this earth it is the root off all styles,concerning the oldskool/jungle rave era.
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Today after 12 years of listening to this album,it still gives me goosbumps.each and every time i play it! Actually i played it, just an hour ago, and as it is titled 'The Experience',its truly is an experience even if one would play it 50 years later -Timeless! To bad The Prodigy thried muttering on after 'Music For The Jilted Generation'. Although there are some brilliant tracks on 'The Fat Of The Land', it cannot beat their two first albums, of which 'Experience' is very dear to me.
I got this album from the library years after it was released (probably somewhere in 1994) and I almost want to keep it. This was my first electronic album that I really loved. The cassette was in my walkman always for almost a year. The reason why this album is so good is that all the songs are very original and were never equalled. On top of that, the tracks on this album in my opinion express the joy Liam Howlett had while making them. The melodies are fantasitic, as are the breakbeats and drums in all the songs. After hearing them 20 times you can still discover more tings and basslines interwoven with other layers.
This album definetely was my first experience in the electronic music world that I entered and haven't left so far!
Artist: The Prodigy Album: Experience Label: XL Recordings Catalog #: XLCD110 Source: CD Genre: Electronic Language: English Retail Date: 1992-09-21 Rip Tool: EAC 1.0 Beta 3 Encoder: FLAC 1.2.1 -8 -V Quality: 881 kbps 44.1KHz Url: Release Notes One of the few noncompilation rave albums of any worth, Experience balances a supply of top-this siren whistles and chipmunk divas with Liam Howlett's surprising flair for constructing track after track of intense breakbeat techno. Almost every song sounds like a potential chart-topper (circa 1992, of course) while the true singles 'Your Love,' 'Charly,' 'Music Reach,' and 'Out of Space' add that extra bit of energy to the fray.
More than just a relic of the rave experience, Experience shows the Prodigy near the peak of their game from the get-go.
The Prodigy Discography
All trax were written, produced, engineered and recorded at Earthbound Studios. ℗ & © 1992 XL-recordings. Published by EMI/Virgin Music Publishing Ltd. Made in England. Distributed by Warner Music UK. Samples used: Track 01: 'The Badman Is Robbin' by Hijack, 'What 'U' Waitin' '4'?' By Jungle Brothers Track 02: 'Shout' by Lulu.
Track 03: 'Latoya' by Just Ice, 'Live The Life' by The Sindecut Track 04: 'Shelter Me' by Circuit, 'Made In 2 Minutes' by Bug Kahn & The Plastic Jam (All Crew sample), 'The Champ' by Mohawk. Track 05 'Hello Earth' by Kate Bush (intro) & 'Return of Captain Rock' by Captain Rock.
Track 06: 'Mummy Should Know' From TV show 'Charly Says' Track 07: 'Chase The Devil' by Max Romeo, 'Critical Beatdown' by Ultramagnetic MC's, 'Homicide' by Shades Of Rhythm. Track 08: 'I'm Riffin' by MC Duke. Track 09: BBC Radio Shipping Forecast & Michael Fish Weather Report. Track 10: 'Fire' by Crazy World Of Arthur Brown, 'Hard Times' by Pablo Gad, 'Sweet African Children (Live)' by Aswad Track 11: 'In The Jungle' by Just Ice, 'Can't Stop' by Plez This is original release. Reissued release with Nimbus matrix can be found Reissued release with Technicolor matrix can be found Reissued release with Sonopress matrix can be found Reissued release with Arvato Digital Services matrix can be found Reissued release with another Nimbus matrix can be found. A testament to the carefree raving times. Unpretentious, a bit raw and rough on the edges, but the heaps of fun Liam obviously had while producing this album is radiating from every second.
Let's hyperspeed the beat, let's pitch up vocals, let's sample a kids' tv show, then let's sample some reggae as well. And what do you know - the result is a landmark in dance music, and an album that got many into electronic music. I still remember my amazement when I heard 'Everybody in the place' for the first time.
One day, back in early 1992, I was reading a copy of 'Alternative Press' in which a wanker. No, he was a wanker, who ran a column typically berating electronic music came out guns firing on this album, making fun of the chipmunk vocals, arrangements, whatever else. Needless to say such criticism made me think the Prodigy were on to something, And they were! While the vocals were occasionally annoying, this album burst at the seams with creativity, something which was in short supply in the rave scene at that very time.Where Liam and company went after that magical summer is your call but this album is a treasure for me. I bought this cd back when it was first released from central station records in the early nineties without really having any knowledge about the artists or the music at all.
What I certainly did know was that I absolutely loved that sound. I heard 'everybody in the place' on the radio and bought the single. Id never heard anything like it - was absolutely amazed at the energy and beats.
That was about 15 years ago. I now own every single and every CD they ever released, however this one holds a special place in my heart as it was really the beginning of what was to become a real love for an amazing and groundbreaking dance music group. Im looking forward to seeing them perform again at the Big Day Out here in Australia.
This amazing album was truly the kick start for me and many others i'm sure,although i first heard it in the summer of 1995. The remarkable thing about the whole album in general,is that,with all its sampels of breaks,piano breakdowns,pitched up female voices and of course the ragga vocals,the funny thing is that,there is not an 'Amen' break sample to be heard in any track. All in all this album is the best CD, ever cross this earth it is the root off all styles,concerning the oldskool/jungle rave era. Today after 12 years of listening to this album,it still gives me goosbumps.each and every time i play it! Actually i played it, just an hour ago, and as it is titled 'The Experience',its truly is an experience even if one would play it 50 years later -Timeless! To bad The Prodigy thried muttering on after 'Music For The Jilted Generation'. Although there are some brilliant tracks on 'The Fat Of The Land', it cannot beat their two first albums, of which 'Experience' is very dear to me.
I got this album from the library years after it was released (probably somewhere in 1994) and I almost want to keep it. This was my first electronic album that I really loved. The cassette was in my walkman always for almost a year.
The reason why this album is so good is that all the songs are very original and were never equalled. On top of that, the tracks on this album in my opinion express the joy Liam Howlett had while making them. The melodies are fantasitic, as are the breakbeats and drums in all the songs.
After hearing them 20 times you can still discover more tings and basslines interwoven with other layers. This album definetely was my first experience in the electronic music world that I entered and haven't left so far!